In June 2009, University Organist Dr. Robert Huw Morgan embarked on a year-long series of recitals in honor of the 25th anniversary of the majestic Fisk-Nanney organ in Stanford’s Memorial Church. The programs consisted, quite simply, of the complete works for organ by another career organist, Johann Sebastian Bach. The Stanford Music Library is pleased to present streaming audio of these fourteen recitals through our website.
Blog topic: Sound recordings
In the third of a series of posts our Stanford University Libraries 1st-generation intern Abraham Tewolde has produced during his summer at the Archive of Recorded Sound, Abraham discusses the research work he is currently undertaking into the Archive's world class phonograph collection. This work has involved him learning basic research methodology, utilizing Searchworks, XSearch, and other such discovery tools to identify books, articles, and online resources pertaining to phonographs. I tasked Abraham with improving upon the Archive's current information for each phonograph, locating information for facets such as original price, city and country of production, date of production, and any additional background information he found during his search. The results of his research will form the basis of a description for each item in an upcoming online phonograph gallery, to be published shortly on the Archive's website.
The Stanford Media Preservation Lab (SMPL) – the unit responsible for digitization and preservation of Stanford University Libraries' (SUL) extensive holdings of sound recordings and moving images -- is busy this summer preparing for our new home at 425 Broadway in Redwood City. SMPL is one of several SUL divisions relocating from our current occupancies at 1450-1454 Page Mill Road at the behest of the University.
Over 50 pieces of film, audio, video playback and treatment equipment -- nearly 1 ton of gear -- plus the desks of SMPL's four staff will be moved over Labor Day weekend (August 31 – September 2, 2013). In preparation for the move, normal lab operations will begin to wind down in early August. The work to reconfigure, cable and re-install the equipment will take 2-4 weeks. We expect to resume regular levels of services and productivity by October 1.
Following on from his first post a few weeks ago, our Stanford University Libraries 1st-generation intern Abraham Tewolde updates us on the work he has been doing recently at the Archive of Recorded Sound. Be sure to watch out for further updates between now and the end of Abraham's internship in mid-August.
It is my pleasure to introduce Abraham Tewolde, a new intern at the Archive of Recorded Sound who is taking part in Stanford University Libraries 1st-generation summer intern program this summer. During his time here Abraham will be learning how a sound archive functions and operates, including work on finding aids, digitization, inventory control, accessioning, and research skills.
Abraham will also be a guest blogger during his time here. Please enjoy below the first of a series of posts Abraham will be offering over the summer.
Today marks 100 years to the day since the infamous first performance of Igor Stravinsky's Le Sacre du Printemps (The Rite of Spring) at the Théâtre des Champs‐Elysées in Paris on 29 May 1913. The 31-year-old composer's two-part ballet score, coupled with 24-year-old Vaclav Nijinsky's choreography, provoked a riot on the opening night that according to most accounts rendered the music inaudible for most of the performance. The protests were so loud that Ballet Russes Director, Serge Diaghilev, was supposedly forced to shout instructions to his dancers onstage while flashing the auditorium's house lights in an attempt to quell the enraged audience.
The Stanford Media Preservation Lab recently completed reformatting the audio tapes contained in the Betty Grover Eisner papers, held by University Archives. Eisner was at the vanguard of using LSD and other psychedelic drugs in her psychotherapy research during the 1950s and 60s. The majority of the tapes document long, multi-hour therapy sessions, with patients on mind alterting substances.
The beginning of 2013 has seen a number of significant developments at Stanford's Archive of Recorded Sound, especially in the area of patron services, both at the Archive itself and online.
Information relating to these improved services can be found on the Archive's new website. This detailed resource also includes information on the Archive's extensive collections, guidelines for planning a research trip to the Archive, and finally recommendations for notable sound recording research tools, both online and in print.