The Howe Collection of Musical Instrument Literature has now been processed and is available for research. The collection was created by Richard J. Howe, an oil company executive and mechanical engineer as well as a collector of mechanical musical instruments and associated literature. The Howe Collection of Musical Instrument Literature, one of the largest and most comprehensive collections of its kind, documents the development of the music industry and the manufacture of pianos, organs, and mechanical musical instruments. The materials in the collection include catalogs, books, magazines, correspondence, photographs, broadsides, advertisements, and price lists. The Howe collection was originally donated to the Institute of Piano Music at the University of Maryland and later transferred to Stanford to support the Player Piano Project.
Blog topic: Music
Three massive and extraordinary volumes were recently donated to the Stanford University Libraries: Modern Opera Houses and Theatres: Examples Selected from Playhouses Recently Erected in Europe, with Descriptive Text, a Treatise on Theatre Planning and construction, and Supplements on Stage Machinery, Theatre Fires, and Protective Legislationby Edwin O. Sachs, 2nd issue (London: B.T. Batsford, 1897-1898).The volumes measure 58.5 x 42 cm.
The Chuck Black Endowment for Early Jazz and Blues promotes the study of early and traditional jazz, blues, and similar musical styles as they emerged and evolved from 1900-1950. In 2016-17 the Endowment acquired twenty-four rare blues recordings.
The Archive of Recorded Sound is developing rich collections of early and traditional jazz. In 2014 the Chuck Black Collection of 224 jazz recordings was donated to the Archive along with funds for cataloging and digitizing all of the discs. In addition, the Black family established the Chuck Black Endowment for Early Jazz and Blues to promote the study of early and traditional jazz, blues, and similar musical styles as they emerged and evolved from 1900-1950.
The Archive of Recorded Sound is happy to announce that the Strong Museum Collection (ARS-0190) of bound volumes of patents from the Aeolian Company, the Amphion Piano Player Company, and the Mason & Hamlin Piano Company is processed and is now open for research. The volumes cover piano, player piano, organ, and player organ patents filed with the United States Patent Office and the British Patent Office from 1825 to 1926. The volumes provide an extensive technical and historical overview of the inventions, innovations, and improvements in the musical instrument industry during this time period.
Kevin Kishimoto, Music Metadata Librarian, Stanford University Libraries, and Tracey Snyder, Music Catalog and Instruction Librarian, Cornell University Libraries, were presented with the Richard S. Hill Award for the best article on music librarianship or article of a music-bibliographic nature, at the 2018 annual meeting of the Music Library Association in Portland, Oregon. Their article, “Popular Music in FRBR and RDA: Toward User-Friendly and Cataloger-Friendly Identification of Works,” Cataloging & Classification Quarterly 54, no. 1 (2016): 60-86 is available online to the Stanford community.
The approaching XXIII Olympic Winter Games shine a spotlight on the Korean Peninsula, and the very tentative steps toward cooperation between the two Koreas in the current highly-charged political climate. Music is playing a role in that arena.