Blog topic: Music

Privately produced Leopold Auer recording, signed by the artist on June 7, 1920, from the Jascha Heifetz Collection.

Archive of Recorded Sound hidden collections project completed

May 29, 2012
by Ray Heigemeir

The Archive of Recorded Sound has completed the processing of four significant collections under the sponsorship of the Council on Library and Information Resources (CLIR) with funding from the Andrew W. Mellon Foundation which are now ready for use by researchers, students, musicians, and the public.  The creators of all four collections have California connections, but their work and influence extended far beyond state borders to distant regions of the world.

Detail, The Metaphysics of Notation, by Mark Applebaum

The Metaphysics of Notation

February 25, 2011
by Ray Heigemeir

Mark Applebaum, Associate Professor of Composition and Theory in the Department of Music, composed The Metaphysics of Notation specifically for installation at the Cantor Arts Center at Stanford. The complete work includes a full hand-drawn score (72’ in length, in twelve 6’ panels), two corresponding mobiles, and the print now hanging in the Music Library, which reproduces the entire drawn score.

Music From Math - Digitizing the Works of Max V. Mathews

August 27, 2012
by Geoff Willard

What's the first name you think of when considering the development of electronic music? Edgard Varèse? John Cage? Karlheinz Stockhausen? Now how about computer music? Max Mathews should be at the top of your list. While at Bell Laboratories in 1957, Mathews wrote the program MUSIC, ushering in an era of digital synthesis and composition. MUSIC went through many iterations, but its lasting influence can be seen in contemporary programs such as Max/MSP, itself named after the late pioneer.

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