Blog topic: Digitization

The Archive of Recorded Sound is pleased to announce the acquisition and recently completed processing of the Art Vincent Jazz Collection. The collection features over 800 hours of interviews, broadcasts, and call-in segments primarily created for the radio program Art of Jazz, produced and presented by Art Vincent (1926-1993), Jazz DJ and concert producer. The show aired on radio stations in the New York Metropolitan area between 1961 and the mid 1980s, including WFHA, WJLK, WRLB, and WGBO. In addition to some live concert recordings, the show notably featured interviews with major figures in the jazz world, such as Stan Kenton, Count Basie, Buddy DeFranco, Woody Herman, Ray Charles, Frank Sinatra, Lou Rawls, Roy Eldridge, Skitch Henderson, Art Farmer, Duke Ellington, Teddy Wilson, Stan Getz, Louis Armstrong, Gerry Mulligan, Dave Brubeck, Benny Goodman, Stephane Grappelli, Dizzy Gillespie, Toshiko Akiyoshi, Vera Auer, Ruth Brown, Betty Carter, Etta Jones, Sheila Jordan, Nellie Lutcher, Anita O'Day, Shirley Scott, Maxine Sullivan, Nancy Wilson, and many others. 

The Archive of Recorded Sound (ARS) and Stanford Media Preservation Lab (SMPL) recently worked with the Center for Computer Research in Music and Acoustics (CCRMA), specifically Emeritus Professor John Chowning and current CCRMA director and Duca Family Professor Chris Chafe, to locate, research, and digitize a series of videos from the Archive's CCRMA Tape Collection (ARS.0037) documenting a significant event in the history of CCRMA and electronic and computer music at Stanford. 

In September 1991, numerous pioneers of electronic and computer music, including Robert Moog and Max Mathews, convened at Stanford during the University's centennial weekend (Sept 27-29, 1991) for a concert and symposium honoring the then 95 year-old inventor of the first practical electronic musical instrument, Leon Theremin. Theremin's instrument, which bears his surname, has become arguably one of the most well known and recognizable electronic musical instruments ever devised, and has since inspired numerous subsequent inventions, such as Max Mathews' radio batons. It has been used in countless musical works, perhaps most famously in the Beach Boys 1966 hit, Good Vibrations. It also gave rise to the career of virtuoso Theremin performer, Clara Rockmore. 

(NOTE: this was first posted on Free Government Information blog as "What makes a "fugitive document" a fugitive?").

First off, I'd like to thank GPO (now the Government Publishing Office!) for posting about this Historic Fugitive Document Available through the CGP. I'd like to give a little context and parse out what makes a fugitive document -- a document that is within scope of the Federal Depository Library Program (FDLP) but for whatever reason is not distributed by GPO to depository libraries -- a fugitive?